Posted by Brian C. Ventura on December 23, 2010
I woke up to the loud sound of the radio. The radioman is talking about an alleged suicide and he is ruminating about the possible foul play because, he speculated, there is a lack of evidence to support the claim of family members that a suicide was indeed committed. Then the radioman proceeded to discuss about the shattered head of the victim, the age, company before the incident happened. He then ended the report by arguing that, even if the family members would like to maintain the incident private, the police have to do their job, they have to investigate to find a conclusive proof that the incident was indeed a suicide.
Death, Dying and Yesterday and Today’s Culture.
This is a daily life event in the media, on TV, print and broadcast, both in the news and in different type of fictional shows. I am reminded of the Dr. House TV show, where the gory details of the human body is translated into sophisticated video graphics and death, or its coming, is nothing but medical challenge to be solved. I am also reminded of CSI, and its various versions, where death or crimes leading to it are problems for experts and the bureaucracy to solve.
Nor is this phenomenon exclusive to the popular media of today. During the 17th Century, Dutch Master painter Rembrandt van Rijn‘s picture of a group of physicians doing an arm dissection in The Anatomy Lesson (1632) is an elaborate example of man’s somewhat illicit love affair with the macabre. This is repeated by the painter in another work, though this time depicting the body of an animal, The Slaughtered Ox (1655). Juan Luna’s rendition of death in the Roman arena in Spoliarium is also an example suggesting a long running love affair between the artists, or perhaps the public in general, with the somewhat graphic depiction of the human anatomy.
An Affair between the Public and the Dead
So there is really nothing new about this relationship after all. Perhaps the only difference between how dying and cadaver is depicted today is-more bodies or cadavers are involved for viewing of a much much wider audience. The death of a popular personality tells us about how we as a society treat the dead or the dying. The death of a common person, just like in the radio newscast I mentioned above, tells us about our very body, our anatomy, by publicly detailing the wounds, the possible cause of death.
Ironically, the death of an unknown person kills the very anonymity of his or her body and exposes it for the public to build a relationship with, mediated by autopsy experts, commentators, and etc. Maybe the public’s relationship with the Viscondes fall under this category, a relationship with the massacred, with the dead body, with their wounds and their very anatomy, not with them as living persons.
In the end, I think this whole phenomenon of a collective relationship between the living public and the act of dying or the cadaver can show us two points. One is that dying is a spectacle, something that is for all the public to participate in. Another is that that the cadaver is a public property that the living needs to use for them to know themselves much better.
Death as a Spectacle
As a spectacle, dying is something that, with the use of technology, is relived over and over again so that the public is either educated or entertained. What a radio or TV program reports about a crime, the focus almost always in not in the humanity or the character of the person who died when he or she was still alive. The focus is on how death happened, how many wounds, how many gunshots and so on. The act of killing the dead body is replay in a slow motion so that the listeners, the audience, who never even know the victim, can visualise and to a certain extent participate in the process of dying. For what end? for the very end of seeing the process of dying.
After all we are already a supposedly advance civilization who would not anymore repeat the spectacles that the Romans enjoyed, as depicted in the Spoliarium of Juan Luna. So if our ethical standard does not anymore allow us to see killing as it happens for its own end, we the public can still satiate that need for spectacle by making crime investigation more available in various media for more people to see.
The Public Cadaver
In an essay in the science magasine Nature, Horst-Werner Korf and Helmut Wicht noted the function of cadaver as an instrument for medicine to know more about the human body. So to die is to leave a specimen for the betterment of those who are still living, and those who are living should always use the dead as an opportunity to know more about their body. The two authors also noted that the display of the body alone is no longer sufficient for the public to learn, it must be dissection to be useful. In fact, those who are living also have to power to decide on what is to be done to their dead bodies in the future. On can now sign a document authorising the donation of body parts in time of death.
There appears to be no escape from the public’s claim of the cadaver. Long before the cadaver can return to the soil, science must first use it as an instrument for learning. And it may not even return to the soil whole, parts that can still be used by the living public can remain alive and be separated from the cadaver.
To Conclude
This short essay does not include how various cultures deal with the concept of life after death, a very important part of the culture in most societies. It may however be fair to say that in the process of dying, the body undergoes a journey, from being part of the non-material public culture, as performer in a spectacle, to becoming part of the material culture, as an object that can be a an instrument for learning or a source of useful parts for the living.
Side Stories No. 5
Brian C. Ventura
Leon, Iloilo